The photographs are experiments that report on potential futures ahead, ones that do not fall along the false dichotomy presented in the media that earth can only be preserved or destroyed. The work instead embraces the belief that for humanity to live sustainably and responsibly, earth’s environments, as well as the human body, will just have to artificially evolve together. Through photographs of physical stage models, Lally’s work speculates on the shapes and aesthetics of space including the social and political dynamics that will emerge when both the design of the environment and the human body are recognized as necessarily elastic for humanity to move forward.